FolkWorld #75 07/2021
© Wikipedia, the free encyclopedia / Kari Estrin Mgt/Consulting

Across the Western Ocean

Peggy Seeger: First Farewell

Peggy Seeger

First Farewell will likely be Peggy Seeger’s final original solo album, but mellowing is not her style and she’s not going quietly. Her remarkable 24th solo album underscores her importance & continued relevance as a songwriter and performer, cementing her place as one of the most uncompromising and inspiring female artists of any genre and age.

There is so much to say about Peggy Seeger: a monumental figure in folk music in the UK and USA; still writing and touring at age 85; an unbroken 68-year career; a constant musical innovator (at aged 77 she was a vocalist on dance single England by Broadcaster that became a BBC Radio 1 Record of the Week); a style icon (world renowned designer Bella Freud named a sweater after her in 2019); numerous international awards; an active campaigner on the environment, social and feminist issues.

Foremost, Peggy Seeger is a passionate advocate of the ability of music and community to change lives. With storytelling running through her bones and an unshakable belief that music is activism, these eleven new songs deliver powerful tales both personal and political: lost and found love; the invisibility of old age; you can be mature, save the planet and still have some fun; loneliness; young male suicide; modern slavery; social media addiction and a tongue in cheek twist on the Cinderella story. Perhaps the most heartfelt dong on the album is the powerful How I Long For Peace.

Despite some serious topics, First Farewell expresses Peggy’s indefatigable optimism, inquisitiveness and sheer lust for life. A deep love runs through it from start to finish, leavened with a healthy dose of wry self-knowledge.

First Farewell is the first to be written and recorded entirely with Peggy’s immediate family members. Son Calum MacColl produced the album as well as co-writing & performing, and eldest son Neill MacColl and daughter-in-law Kate St John (Dream Academy) also feature as musicians and co-writers. It’s also her first album to reference her roots as a classically trained pianist rather than entirely as a folk musician. The simple piano arrangements hark back to the avant-garde compositions of her mother, the Guggenheim fellowship composer Ruth Crawford Seeger.

Tracklist: Dandelion and Clover | The Invisible Woman | Lubrication | All In The Mind | We Are Here | The Puzzle | Lullabies For Strangers | One Of Those Beautiful Boys | Tree Of Love | How I Long For Peace | Gotta Get Home By Midnight

Artist Audio
Peggy Seeger "First Farewell", Red Grape Music, 2021

Ewan MacColl & Peggy Seeger

Margaret "Peggy" Seeger (born June 17, 1935) is an American folksinger. She is also well known in Britain, where she has lived for more than 60 years, and was married to the singer and songwriter Ewan MacColl until his death in 1989.

First American period

Seeger's father was Charles Seeger (1886–1979), a folklorist and musicologist; her mother was Seeger's second wife, Ruth Porter Crawford (1901–1953), a modernist composer who was the first woman to receive a Guggenheim Fellowship. One of her brothers was Mike Seeger, and Pete Seeger was her half-brother. One of her first recordings was American Folk Songs for Children (1955).

Peggy Seeger

Artist Video Peggy Seeger @ FROG

In the 1950s, left-leaning singers such as Paul Robeson and The Weavers began to find that life became difficult because of the influence of McCarthyism. Seeger visited Communist China and as a result had her US passport withdrawn. The US State Department, which had been opposed to Seeger's 1957 trip to Moscow (where the CIA had monitored the US delegation), was vigorously critical about her having gone to China against official "advice".

The authorities had already warned her that her passport would be impounded, effectively barring her from further travel were she to return to the US. She therefore decided to tour Europe – and later found out that she was on a blacklist sent to European governments. Staying in London in 1956, she performed accompanying herself on banjo. There she and Ewan MacColl fell in love. Previously married to director and actress Joan Littlewood, MacColl left his second wife, Jean Newlove, to become Seeger's lover.

In 1958, her UK work permit expired and she was about to be deported. This was narrowly averted by a plan, concocted by MacColl and Seeger, in which she married the folk singer Alex Campbell, in Paris, on January 24, 1959, in what Seeger described as a "hilarious ceremony". This marriage of convenience allowed Seeger to gain British citizenship and continue her relationship with MacColl. MacColl and Seeger were later married (in 1977), following his divorce from Newlove. They remained together until his death in 1989. They had three children: Neill, Calum, and Kitty. They recorded and released several albums together on Folkways Records, along with Seeger's solo albums and other collaborations with the Seeger Family and the Seeger Sisters.

Seeger was a leader in the introduction of the concertina to the English folk music revival. While not the only concertina player, her "musical skill and proselytizing zeal ... was a major force in spreading the gospel of concertina playing in the revival."

The documentary film A Kind of Exile was a profile of Seeger and also featured Ewan MacColl. The film was directed and produced by John Goldschmidt for ATV and shown on ITV in the UK.

Two social critics

Together with MacColl, Seeger founded The Critics Group, a "master class" for young singers performing traditional songs or to compose new songs using traditional song structures (or, as MacColl called them, "the techniques of folk creation"). The Critics Group evolved into a performance ensemble seeking to perform satirical songs in a mixture of theatre, comedy and song, which eventually created a series of annual productions called "The Festival of Fools" (named for a traditional British Isles event in which greater freedom of expression was allowed for the subjects of the king than was permitted during most of the year). Seeger and MacColl performed and recorded as a duo and as solo artists; MacColl wrote "The First Time Ever I Saw Your Face" in Seeger's honour (and did so during a long-distance phone call between the two, while Seeger was performing in America and MacColl was barred from traveling to the US with her due to his radical political views). None of the couple's numerous albums use any electric or electronic instrumentation.

Whilst MacColl wrote many songs about work and against war and prejudice, Seeger (who also wrote such songs) sang about women's issues, with many of her songs becoming anthems of the women's movement. Her most memorable was "I'm Gonna Be an Engineer". There were two major projects dedicated to the Child Ballads. The first was The Long Harvest (10 volumes 1966–75). The second was Blood and Roses (5 volumes, 1979–83). She visited the Greenham Common Women's Peace Camp, where protests against US cruise missiles were concentrated. For them she wrote "Carry Greenham Home". Seeger also ran a record label, Blackthorne Records, from 1976 to 1988.

In recent years

After the fall of the Soviet Union, US authorities began to soften their attitude towards Seeger. She returned to the United States in 1994 to live in Asheville, North Carolina. Seeger has continued to sing about women's issues. One of her most popular recent albums is Love Will Linger On (1995). She has published a collection of 150 of her songs from before 1999.

The Bluegrass Situation

The Bluegrass Situation's Artist of the Month interview with Peggy Seeger is full of stories, wisdom, insight, and examples of her commitment to feminism, progressivism, and activism throughout her career.

In 2011, Seeger edited The Essential Ewan MacColl Songbook. Her introduction gave a detailed account of her life with MacColl. She expressed some difference of political perspective between her and Ewan.

As a budding eco-feminist, I find the subject matter of many of the songs in this book very hard to deal with. A developed eco-feminist would probably not have undertaken this book at all. Ewan was a Marxist, a militant, gut-political product of the tail-end of the industrial revolution. In most of his songs, men are digging, slashing, cutting, building, re-shaping, raping, controlling, humanising the earth and being praised for doing so for the good of mankind. Humanity and the class struggle were Ewan's main preoccupations but his songs deal with men: men's work, men's lives, men's activities and many veiled (and not so veiled) references to the power of the penis. Even where it is obvious that both sexes are being referred to, Ewan (like myself in my early songs and like most people in our patriarchal society) employs masculine pronouns.

In 2006, Peggy Seeger relocated to Boston, Massachusetts, to accept a part-time teaching position at Northeastern University. In 2008, she began producing music videos pertaining to the Presidential campaigns, making them available through a YouTube page.

After 16 years of living in the United States, Seeger moved back to the United Kingdom in 2010 to be nearer to her children and now lives in Iffley, Oxford.

In 2012, she collaborated with experimental dance producer Broadcaster on an album of her songs set against dance beats.

Seeger identifies as bisexual and contributed an essay to Getting Bi: Voices of bisexuals around the world. In it she details a relationship she began with Irene Pyper-Scott after Ewan MacColl died.

Seeger performed "Tell My Sister" on a live tribute album to the late Canadian folk artist Kate McGarrigle entitled Sing Me the Songs: Celebrating the Works of Kate McGarrigle. The album was released in June 2013.

Seeger's memoir, First Time Ever: A Memoir was published by Faber and Faber in October 2017. A double CD of songs to accompany the memoir was released at the same time.

From Wikipedia, the free encyclopedia []. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

Text is available under the Creative Commons Attribution-ShareAlike License.

Date: June 2021.

Photo Credits: (1ff) Peggy Seeger (unknown/website).

FolkWorld Homepage German Content English Content Editorial & Commentary News & Gossip Letters to the Editors CD & DVD Reviews Book Reviews Folk for Kidz Folk & Roots Online Guide - Archives & External Links Search FolkWorld About Contact Privacy Policy

FolkWorld - Home of European Music
FolkWorld Homepage
Layout & Idea of FolkWorld © The Mollis - Editors of FolkWorld