FolkWorld Artikel von Walkin' T:-)M:

The Scots Musical Museum

Behind the showcases in Scotland & Northumbria


On a fine autumn morning, I stumbled from the Newcastle ferry. Sick, not because of 16 hours on the stormy North Sea, but rather of the Bulgarian showband in the ship's bar. Fortunatly, there were better things to come.

Prehistoric hill forts, the Roman Hadrian's Wall, medieval castles - Northumberland has always been debateable lands, the bloody buffer zone between England and Scotland. Morpeth Chantry, photo: www.thenortheast.com The hills were constantly echoing the fife and drums of marauding armies and, in more peaceful times, the sound of the Northumbrian pipes. The traditional musical instrument of North Eastern England is differing from the Scottish war pipes in that they are blown using bellows operated by the arm. Some claim that Northumbrian pipes are best heard indoors, while the Scottish pipes are heard best outdoors - preferably from a distance of twenty miles away!

The Morpeth Chantry now houses the Northumbrian Bagpipe Museum, displaying a collection of Northumbrian Small and Long Pipes, plus a small stock of pipes - literally - from India to Inverness. The museum is furnished with a cordless headphone sound system, which links each display case with appropriate pipe music. Finally, the pipes come alive regularly since the Northumbrian Pipers' Society meets at the museum.

The very next morning saw me crossing the Scottish border, in my bags Brian McNeill's new novel To Answer the Peacock. Melrose Abbey, photo: T:-)M With it's own parliament, there's a buzz of enthusiasm now. Simon Thoumire wrote Music for a New Scottish Parliament, and Sheena Wellington performed the classic A Man's a Man for the opening ceremony. Will there be a new awareness and promotion of Scottish music now?

In Melrose Abbey I spied the famous gargoyle modelled as a bagpipe-playing pig. A board in the Great Hall of the ruined Tantallon Castle told me about the Scots: "Musick they have, but not the harmony of the sphears, but loud terrene noises, like the bellowing of beasts; the loud bagpipes is their chief delight." But Scotland has more to offer than silent stones. The Dunbar Traditional Music Festival turned out as a small community gathering. Apart from some golfers, there seemed to be no foreigners in town. I caught "Jenny's Chickens" in full flight, four young lads with fiddles, guitar and bodhran, knocking down reels with breakneck speed and a hearty rendering of Radiohead's "Creep". And it surely was fuckin' special. The ballad session next afternoon was of the same eclectic taste. We got Folk, Blues and Jazz, and the local poet recited some of his verses - in broad Scots. Thus, I didn't get any word, but it's been mighty crack. Some jokes were passing around: "Was `Maid on the Shore' on the A-Side or on the B-Side?" "Ah, I think it was on the C-Side ..."

Afterwards I was heading further North. I was trespassing Killiecranckie, scene of a Jacobite battle in 1688. I just heard the commemorating ballad the night before: "Oh, fie, Mackay! Ye'd better kiss'd King Willie's loof, Than come to Killiecranckie, O." Niel Gow, photo: members.aol.com/DrAJDoyle/music/ngow.html In nearby Blair Castle, the famous Niel Gow was fiddler to four successive Dukes of Atholl. It was the Scottish national bard Robert Burns who wrote: "Nae fabled wizard's wand I trow / Had e'er the magic art of Gow / When in a wave he draws his bow / Across his wondrous fiddle. / In brisk strathspey or plaintive air / What rival can wi' you compare / O' wha could think a hank o' hair / Could thus transform a fiddle!"

However, the "Home of Highland Music" is to be found along the banks of the River Ness. The Balnain House in Inverness Balnain House, photo: www.balnain.com is closely assiociated with the history of the Highlands. In 1746 it was used as hospital by the Hanoverian army after the battle of Culloden. In the 19th century it housed a detachment of the Corps of Ordnance, when the Highlands were being surveyed for the first Ordnance Survey maps.

Now it offers concerts, ceilidhs, and classes. You may explore Highland music in an audio/video exhibition from its prehistoric origins to contemporary folk and rock. (Unfortunatly, some listening stations were out of order when I put my hands on it.) You may even try bagpipe or clarsach by yourself, have a pint in the cellar bar, or go shopping for both new and obscure CDs, books and tutors (at least, if you can afford these incredible prices nowadays). To raise funds, Eric Allan, a director of Balnain as well as secretary of the Inverness Fiddlers Society, offers a Tune for 50 service - if you are still looking for a christmas present.

A donation to the exhibition came in the form of Niel Gow's chair. The story is told about an evening's entertainment at Balnain: "While outside the winds howled and the rain lashed against the window panes, inside the Canada Room all was warmth and peace. Iain Fraser stood beside Niel Gow's chair and proceeded to play Niel Gow's Lament for the Death of his Second Wife. Its slow and melodic strains filtered through the entire house. A woman in the third row sat bolt upright in her chair. Her gaze was fixed on the fiddler. She reported later that she had seen a very elderly gentleman appear at Iain's right shoulder. He was wearing ancient tweeds and was particularly interested in Iain's fingerings on the fiddle. He watched intently as the tune grew to its heartbreaking climax and, just as suddenly as he had appeared - he disappeared again as the final strains of the melody faded into the rousing applause of an unsuspecting audience." Balnain House, where "Highland music lives ..."

Another ghostly experience which awaits those who have a "wee dram too many". The Tam O' Shanter Experience near Rabbie Burns' birthplace in Ayrshire. Alloway Kirk, photo: www.robertburns.org/heritagepark/ Tam O Shanter, picture: www.robertburns.org/heritagepark/ An audiovisual theatre in Alloway brings one of the oldest and best known tales written by Burns back to life. In the Auld Kirk, Tam encountered - in the poet's own words - "a dance of witches merrily footing it round their old sooty blackguard master, who was keeping them all alive with the power of the bagpipe. The ladies were all in their smocks, one of them, Nannie, having a smock which was considerably too short to answer all the purpose of that piece of dress ..." When Tam is discovered and had to retreat, he is saved only by the supreme efforts of his old mare Maggie at the Brig o' Doon, for Nannie grabs hold of Maggie's tail and pulls it off.

In fact, Scotland was the European country which had burnt the highest proportion of its female population as witches. But that's a different story.

Let me tell you that I love you
And I think about you all the time
Caledonia, you're calling me
And now I'm going home
(
Dougie MacLean)


Back to the content of FolkWorld Articles, Live Reviews & Columns
To the content of FolkWorld online magazine Nr. 17

© The Mollis - Editors of FolkWorld; Published 12/2000

All material published in FolkWorld is © The Author via FolkWorld. Storage for private use is allowed and welcome. Reviews and extracts of up to 200 words may be freely quoted and reproduced, if source and author are acknowledged. For any other reproduction please ask the Editors for permission.


FolkWorld - Home of European Music
FolkWorld Home
Layout & Idea of FolkWorld © The Mollis - Editors of FolkWorld